Well, this is quite beguiling… As much as I tend to love the dark and noisy, this is sunlight cast into hidden corners. A cleanly interlocking, organic piano architecture through which soprano-vines curl and insinuate; unhurried sculptures, all curves and sinuosity, occasionally bursting into finely detailed bloom. Journeys without purpose, content to take joy in…
Well, once again I’ve listened to far less than I would have liked to this year (excuses range from alien invasion to the lack of 25 hours in a day to pure ninja-level laziness)… and yet, I have absolutely no complaints about the contents of my ‘top ten’ (your mileage, of course, may vary). In…
If you want improvisation that dares to go where the angels don’t run and the buses fear to tread, listen no further than Eris 136199 aka Han-earl Park, Catherine Sikora and Nick Didkovsky – a guitar-saxophone-guitar trio that remain utterly unpredictable even to the most discerning algorithm. The new, self-titled album is out on 9th…
A couple of years ago, I was introduced to Catherine Sikora’s playing thanks to the album “Anomic Aphasia”. Two tracks featured Sikora with guitarists Han-earl Park and Nick Didkovsky, or Eris 136199 when taken all together: “…a cyclic frenzy of fragmented sounds without an ounce of entropy.” if I’m allowed to quote myself!? Not very coincidentally,…
Han-earl Park (guitar) Catherine Sikora (tenor & soprano saxophones) Nick Didkovsky (guitar) (#1 & 5) Josh Sinton (baritone saxophone & bass clarinet) (#2, 3 & 4) Monopod Pleonasm (METIS 9) Flying Rods (METIS 9) Hydraphon Stopcock #1 & 5 Douglass Street Music Collective, Brooklyn, June 5, 2013 #2, 3 & 4 Harvestworks NYC, October 9,…
